If you win the Gar LaSalle Storyteller Award form ArtistTrust you get $10,000. No strings attached. You can take that money and pay 1/10th of your student loans! Or pay your rent for some of the year! Or you can buy a mound of cocaine and use the extra energy to write another book!
Chandler Woodfin and Todd Jannausch moved from Seattle to Tacoma to create a community around art. Now, after seven months of Feast Arts Center, they’ve overcome broken elbows and a shoestring budget to grow a devoted following around art classes, workshops, exhibits and Sunday morning coffee.
The room was dead silent and dark except for a single spotlight illuminating an entertainer on stage. Bellingham art lovers ears perked. Over the next two hours, four award-winning Washington artists took the stage to share their work in performances incorporating a slack wire, spoken word, paintings and poetry. The Firehouse Performing Arts Center hosted the Artist Trust performers, including a circus performer, muralist, poet and a spoken word artist, Thursday, April 28. “I feel like I’ve been to church and got saved,” Jennifer Bullis, Bellingham local and fellow artist said. “It was a scrubbing of the soul and filling up with amazing creativity and presentation.”
Four award-winning artists — Bellingham poet Roberto Ascalon; Bellingham circus artist Esther de Monteflores; Tacoma poet Allen Braden and Tacoma visual artist Christopher Paul Jordan — perform in their various disciplines at Firehouse Performing Arts Center at 6 p.m. Thursday, April 28, at the Firehouse Performing Arts Center, 1314 Harris Ave., hosted by Artist Trust, with emcee Brian McGuigan, who coordinates the organization’s grant-making, career development programs and resources.
Artist Trust’s decision to hire a Spokane representative came early this year as group leaders discussed renewing their dedication to their mission with a hands-on, more assessable approach. “I’m here to better represent Artist Trust in practice and philosophy,” said Mitchell, a Spokane native who was hired early this year. “I’ll be coordinating events and workshops tailored to the needs of Spokane. I’m here to help.”
On Saturday February 27, Artist Trust held their Annual Benefit Art Auction while celebrating thirty years of supporting artists. Artist Trust is one of the few organizations that supports artists with grants, resources and training statewide rather than specifically targeting Seattle. The artists with pieces in the auction represented an impressive 43 cities in fifteen counties throughout Washington. The Artist Trust Benefit Auction acts as one of their most important events every year, supplying around 40% of their annual income–supporting the auction essentially supports the artists.
As part of its 30th anniversary celebration, Artist Trust is taking its “Artist Trust on Tour” program to five different cities around the state and will choose an artist from each city to present their art to the community. Halberstadt believes these presentations also will provide opportunities for artists to connect with one another.
They quit their jobs. Woodfin sold her car. They slowly liquidated their possessions, living slim to save cash. Still, realizing an arts center proved financially daunting. Then in June, Jannausch was awarded a small windfall in the Artist Trust Fellowship, a $7,500 prize issued to practicing professional artists—just enough cash to acquire a space.
“Individual artists are so freaking important,” Halberstadt said. “They’re bringing something that’s important to our culture: they’re our storytellers, they’re the people reflecting back to us the beauty that exists in humanity.”
“It’s very diverse and exciting, because there are lots of different disciplines and genres reflecting the culture. We wish to see cross-pollination. We also help them share space and resources so they begin to share ideas, leading to exciting results.” Filmmakers have the advantage and opportunity to connect with other artists – from all fields – to collaborate and breathe life into exciting new projects and concepts.
Artist Anna Skibska received a Fellowship from Artist Trust in 2001 and wanted to give something back: she wanted to help this organization continue its important work of supporting artists in Washington State.
Woodfin and Jannausch recently founded – with the help of a $25,000 Indiegogo crowd fund – an art school and gallery they’re calling Feast Arts Center, located in the Hilltop neighborhood of Tacoma.
The fair felt alive all weekend, sometimes crowded but mostly just pleasingly populated. Total attendance was more than 15,000, said Max Fishko and Jeffrey Wainhause, the organizers, who own Brooklyn-based fair company Art Market, which also presents fairs in Miami and other places. Ticket sales from the first two hours of the fair brought in $85,000 for Artist Trust, the local artist funding nonprofit, more than double the promised donation of $30,000.
Artist Trust helps all kinds of Seattle artists in every discipline with financial support and increased visibility. But speaking selfishly, SRoB is thrilled that such a dedicated book guy is taking over the programming. McGuigan knows every writer in town, and he’s a passionate advocate for talent, both as a programmer and as a reader. What’s more, he’s a spectacular programmer; anyone who’s attended the packed-to-the-gills Cheap Wine & Poetry and Cheap Beer and Prose readings series at the Hugo House knows McGuigan’s a great events curator, and he brought energy, spontaneity, and passion back to the Hugo House’s stage after a few rough years of misdirection. He knows how to throw a party, is what we’re trying to say, and we can’t wait to see what he does with this new role.
Artist Trust helps all kinds of Seattle artists in every discipline with financial support and increased visibility. But speaking selfishly, SRoB is thrilled that such a dedicated book guy is taking over the programming. McGuigan knows every writer in town, and he’s a passionate advocate for talent, both as a programmer and as a reader.
The first two hours of the Seattle Art Fair opening night Preview raised over $85,000 for Artist Trust. Dedicated to supporting Washington State artists working across all disciplines by providing professional development through training programs like Edge and I Am An Artist, Artist Trust funds upwards of 85 artist grants, totaling over $300,000 each year.
According to Art Market Productions, some 4,000 came Thursday night for the opening, and by 8 p.m. a line had snaked around the block. As of midday Friday, 17,000 advance tickets had been sold for the weekend. (Most went for $20 apiece; VIP packages, benefiting the nonprofit artist-support organization Artist Trust, sold for $150.)
Are Seattle artists happy about Seattle Art Fair, or resentful it’s not really about them? That’s what radio arts reporter Marcie Sillman asked me today on KUOW 94.9 FM, when we talked about how annoying it is when people are amazed that there’s good art in Seattle. Duh.Sillman’s questions brought to mind one of the big installations by a Seattle artist that’s been commissioned by the fair. It’s called Backdrop, and it’s by Julie Alpert. (The other is by Jenny Heishman.) I don’t think Alpert intended to imply directly that Seattle artists are more backdrop than front-and-center at this weekend’s fair, but the implication is right there in the title, and I like that.
Concurrent with the inaugural Seattle Art Fair, Artist Trust, Art of The City, Hilliard’s Beer and Galvanize are sponsoring an exhibition of the 2015 Artist Trust Fellowship recipients. Artist Trust Fellowship recipients are selected for their artistic achievement, dedication to an artistic discipline, and potential for further professional development. The exhibition is a satellite venue of the Art of the City Street Fest at the TK Lofts, and an affiliate of Satellite Seattle.
Art Market, the Brooklyn-based company administering this weekend’s inaugural Seattle Art Fair, promised to give the proceeds of its VIP Patron reception to Seattle nonprofit Artist Trust—even if nobody showed up. Artist Trust is getting $30,000 this weekend, guaranteed.
“I think it really speaks volumes of their commitment to this area,” Artist Trust director Shannon Roach-Halberstadt told me yesterday. “It’s so fantastic. The money will go directly to individual artists in all disciplines across the state.”
(Tickets did sell, luckily.)
Artist Trust is seen as the clearinghouse for funding local artists rather than organizations; both public and private money is still more likely to be funneled through museums, theaters, and other agencies.
“Seattle-based Artist Trust is the beneficiary partner of the Seattle Art Fair. Artist Trust is dedicated to supporting Washington State artists working across all disciplines by providing professional development through training programs like EDGE and I Am An Artist and by funding upwards of 85 artist grants totaling over $300,000 each year. This partnership enlivens the Seattle Art Fair’s vision to support innovative creative thinkers and makers within the region,” the group says in its news release.
Are you good at writing but not good at raising money? Maybe in desperate need of money? Then get your shit together over the weekend and apply for an Artist Trust Grant. Tell them you’re working on a novel. Tell them you’re working on a book of essays. Tell them you want to wheatpaste poems all over new construction. If they like it they’ll give you $1,500. But whatever you do, tell them before the deadline: Monday, May 18.
Artist Dan Webb will spend July carving a Douglas fir, creating a sculpture gallery that changes nearly every day for the “Summer at SAM” series.
The beneficiary partner of the Seattle Art Fair will be the city-based Artist Trust that is dedicated to supporting Washington State artists working across all disciplines by providing professional development and funding upwards of 85 artist grants totalling over $300,000 each year.
BRD was established in 2005 by a group of about six local dancers that wanted a semi-professional to professional dance experience without having to uproot our lives and move to a larger metropolitan area.
The New Criterion is pleased to announce that Michael Spence’s Umbilical has been selected as the winner of the 2015 New Criterion Poetry Prize.
I don’t want to do too much throat-cleary description of Clyde Petersen, the Seattle artist who won one of two $25,000 Arts Innovator Awards this year from Artist Trust. Right over here you can read what I think about Clyde, but let’s just get to letting him talk.
What gives, Seattle art power brokers? You dropped the ball on Rodrigo Valenzuela. The Chilean-born artist whose photography and video plays on the borders of documentary and fiction got a little attention during the four years he lived here, but nothing significant from the heavy hitters at local museums and among philanthropists, grantmakers, dealers, and collectors. He was even shunned by the approachable local funder Artist Trust—until winning its second biggest award, for $25,000, the Arts Innovator Award in Visual Arts of 2014, just recently announced. The award is funded by the Dale and Leslie Chihuly Foundation.
In the heart of Seattle’s offbeat, trendy Capitol Hill neighborhood, Artist Trust lies in wait to help artists of all disciplines plan their careers and find outlets for their work…
“I’m really prolific on the writing side. Creativity is not my problem. On the business side, I totally suck. This program gave me ideas on how to become more organized…”
Through researching ethnographic material and carvings from museum collections, Boxley learned the traditional carving methods of his grandfather’s people. He became an artist full-time in 1986 and is now a nationally recognized artist.
I had the opportunity to talk to Hurwitz about the organization’s impactful mission, and how it plays a major role in supporting thousands of artists throughout Washington State—many of which live on the Hill.
KC Madsen, a southwest Washington artist, came to Cathlamet to give a presentation about Artist Trust, a foundation that supports artists in Washington state.
“The EDGE Program was transformative! I felt confident in the work that I have been producing, but successfully making a living from my art seemed like a radical idea. Now, I feel that I have the tools and knowledge to formulate goals and create a plan to turn them into reality.”
Celebrating its 25th anniversary, Artist Trust has invested over $9 million in artists since its founding. Artist Trust staff talk about reaching more artists in more ways in the new year:
She received the full $1,500 grant from Artist Trust, and she said she plans to purchase a new, larger electric kiln for firing her clay sculptures.
Local artists and donors to the arts community gathered at EMP as Artist Trust celebrated not only all of the artists who received awards from them in 2012, but 25 years of providing those awards and access to training and professional development resources for artists.
Artist Trust, the well known arts support organization, has announced its 2012 GAP grants; several members of the Cornish community are on the list.
The goal of the funding is a repeated and consistent investment to support and encourage individual artists’ projects in all disciplines in order to enrich community life throughout Washington.
The rooftop mural was a year in the making. Artist Trust granted Peterson $1,500 to paint the 3-D mural last fall, but it took three months to find a building owner willing to let him cover a wall with spiders.
“I heard that if you want to take your art career to the next level, [the EDGE Professional Development Program] is the one focused activity that will make the biggest difference.”
“It’s a confirmation,” Sheffield said of the awards. “It’s hard in our culture to come up with the energy to make art. Most of the messages in our culture say you need to spend time being productive, earning money… This says that making art is important. It says, ‘well done, keep at it.’ ”
Award recipients Pat Graney and Eyvind Kang were honored as the two arts innovators for the year, receiving the largest monetary award available to generative artists in the state.
We talked about his continuing explorations into music around the world and of his recent Artist Trust Arts Innovator Award, a $25,000 gift to two generative artists each year.
For many people, the idea of “being an artist” often runs counter to the concept of “having a career”...
...Noah gives thanks to her nominator, the selection panel and Artist Trust, whose support of individual artists is vital in an age where funding for the arts is dwindling, she said.
...For over 13 years I’ve benefited from Artist Trust, not just for funding, but even more importantly for their resources…
...Innovators are those who make their visual thinking tangible and extend it, each piece a part of an internal symposium brought to light…
Artist Trust… is coming to Tacoma next weekend to hold a two-day professional development seminar May 8-9 for artists of all mediums… This is the first event of its kind in Tacoma, and Artist Trust is excited about the promise of bringing this event down south….
The Artist Clinic is a pilot program that began in January 2009. The project is a partnership between Country Doctor and the Washington Artists Health Insurance Project (WAHIP)... Leveraging Investments in Creativity and Artist Trust…
Last Saturday, the KEXP community gathered to celebrate art…